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Claire
User's Guide
This isn't really a blog, more of an online archive of my publications, articles, talks, conferences, and so on. For pdfs of my writing, see my page at academia.edu
About me: I am a professor in the PhD Program in Art History at CUNY Graduate Center, New York, where I've been based since 2008. Previously I taught at Warwick University (2006-8), at the Royal College of Art, London (2001-6) and at Essex University, where I completed my PhD in 2002. I can be contacted on cbishop@gc.cuny.edu.
- CB
About me: I am a professor in the PhD Program in Art History at CUNY Graduate Center, New York, where I've been based since 2008. Previously I taught at Warwick University (2006-8), at the Royal College of Art, London (2001-6) and at Essex University, where I completed my PhD in 2002. I can be contacted on cbishop@gc.cuny.edu.
- CB
Labels
- articles (20)
- articles reviews (1)
- books (3)
- catalogue essays (1)
- conferences (13)
- discussions (11)
- exhibitions (2)
- interviews (11)
- performances (3)
- podcasts (8)
- publications (14)
- reviews (18)
- seminars (2)
- talks (6)
- teaching (1)
- translations (6)
- webcasts (5)
Links
- Centre for the Aesthetic Revolution
- Sven Lütticken's pseudo-blog
- Neil Chapman's perfume blog
- International Art English
- Sven Lütticken's pseudo-blog
- Neil Chapman's perfume blog
- International Art English
1 comment:
Dear Claire Bishop,
I hope this email finds you well. As a long-time admirer of your writing and research, I just wanted to express my deep appreciation for the profound influence your work has had on me.
Your book "Artificial Hells: Participatory Art and the Politics of Spectatorship" completely changed how I approach and understand art. The way you dissected the complexities of participatory art with such clarity and depth was nothing short of enlightening. Your argument about the politics of spectatorship was eye-opening, especially when you wrote, "The artist’s withdrawal from center stage, by inviting participation, changes not only the artist-viewer dynamic but also the artwork’s role within society." That line has stayed with me ever since, as it captures so succinctly the evolving role of art in contemporary culture.
Another book of yours that deeply resonated with me was Radical Museology. Your critical perspective on what’s contemporary in museums of contemporary art was so refreshing. The way you challenge conventional museum practices while proposing new models for curating art, with such sharp insight, always encourages me to rethink the role of institutions in the art world. Your focus on the digital era’s impact on attention in the arts is also an ongoing interest of mine, and I eagerly anticipate your future research on this front.
Thank you for pushing the boundaries of art criticism and for constantly inspiring both artists and critics like myself to think beyond the obvious. Your rigorous thinking, combined with your eloquent writing, continues to shape how I look at and engage with contemporary art.
Warm regards,
Anisa Mosaiebiniya
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